It was sometime in March 2020 when the pandemic turned from international news to a reality in our community. My musical friends were already feeling the existential dread of an eminently shut down world. It was during this month when I put everything I had into forming my former livestreaming company, now known as ELECTRIC AIR.


Our brand new system, engineered in such a way that my contractors never had to get close, enabled chamber music from musicians in separate rooms. It enabled us to camp outside the homes of musicians and interface with remote and constantly sanitized cameras. Working with organizations and groups like The University of Calgary, Calgary Pro Musica, Land's End Ensemble, Early Music Voices, Theatre Encounter, and many more, we brought live performance into the homes of people starved of live culture totalling tens of thousands of local views.


As restrictions slowly settled, we began forming a new identity for our company. Buying remote head cranes, jibs, steadicams, and remote video transmission technologies, we began engaging in high fidelity livestreams intended to to elevate the experience of live with camera movement and creative switching. Serving arts organizations across Canada, we now also produce streams intended to boost local community turnout for events, as well as create innovative multicamera projects for film, TV, and online media.